- Clarence Adoo MBE: My hope is that many people are able to access an accessible instrument. If it's accessible or tweaked in the right way, it can give you a sense of freedom, better technique. I have a far better range on my Headspace instrument than I ever did on the trumpet of course. After my accident, if someone had introduced me to a Clarion, I would have been very, very excited. It's very important to me that notes are just not very plain and inexpressive. I want somehow to put in some of the expression that I feel, by shaping the notes in different ways. And so we're very much pushing both these softwares to help us express. So it's not just turning a note on and off, but we can shape the sound and the crescendos so we can put our own selves into playing the piece of music. It's really important that we can persuade other people to consider using the amazing sound palette of the electronic world with the conventional instruments. As soon as an organ arrived in a church, it appeared in so much of the music. RNS moves, Royal Northern Synfonia Moves, is an inclusive ensemble. Instead of always trying to adjust my instrument to fit into an ensemble, we're now paying composers to write for an inclusive ensemble. So we're gonna get to the stage soon where people will need a Clarion or a Headspace in a group to do such great music. Alessandro has become part of this Moves project this week and I'm really, really, excited to see him. - Alessandro Vazzana: I love playing music. The Clarion gives me the chance to play music I had inside, to play everyone together, and keep going. With thanks to: Clarence Adoo MBE Alessandro Vazzana RNS Moves, Royal Northern Synfonia for welcoming us Glasshouse International Music Centre